12 August 2022 The Irish Film & Television Network
     

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Digital Non Linear Editing Services



DIGITAL NON LINEAR SERVICES
BS
Windmill Lane Pictures Ltd
CEO - Dave Quinn
29 Herbert Street, Dublin 2, Ireland
+353 1 6713444
dave.quinn @ windmilllane.com 
www.windmilllane.com

Windmill Lane: We are Ireland’s leading picture and sound post-production, VFX and content creation studio, creating top class content and dedicated to working collaboratively with directors, producers, showrunners, creatives, agencies and brands from Ireland and all over the world.

For over four decades Windmill Lane has been a cornerstone of creativity in Ireland, working with filmmakers, creatives, musicians and artists, helping them do what they do best, by doing what we do best. Our talent has always been our most important asset. From the welcome you receive to the standard of content we create with you, our people and our craft are our calling cards.

Contacts: 

Executive:
Dave Quinn, Deborah Doherty, John Kennedy, Catherine Synnott

Film/TV: Drama, Animation & Features:
Aaron Carroll

Advertising:
Deborah Doherty, Jess Felton, Renata Fitzpatrick

Audio / No 4:
Deborah Doherty, Mick Creedon

Creative:
John Kennedy, Manus Goan

Finance:
Catherine Synnott

Visual Effects:

John Kennedy

Animation / Whirligig:
Jess Felton


BS
Who's Who
Aaron Carroll - Head Producer
Dave Hughes - Head of Colour
Deborah Doherty - Head of Production
Ed Smith - Head of Operations
Jason Gaffney - Marketing Manager
John Kennedy - Head of VFX
Mick Creedon - Head of Audio
BS
Recent News Articles
31 May 2022 Irish documentary musical North Circular selected for International Premiere at prestigious Sheffield DocFest
13 May 2022 Windmill Lane make key appointments as company nears 45th year in business
15 Nov 2021 Application now open for DkIT's Certificate in Audio-Visual Production for Online Platforms
11 Nov 2021 Creative Leadership Programme returns for Animation, VFX, & Games
01 Apr 2021 “For me, it was about taking away, stripping back, and allowing the performances to shine through;” Editor John O’Connor discusses Smother
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