17 June 2019 The Irish Film & Television Network
Actors
TV
Crew
Digital
Distribution
Education / Training
Equipment
Festivals / Markets
Finance
Legal
Locations Ireland
Post Production
Production
Rep Bodies
JOBS FILMOGRAPHY NEWS WHO'S WHO DIARY GALLERY IFTA
     
NEWS IN BRIEF
Features & Interviews
Production News
Post Production News
VFX News
Animation News
Digital News
Festivals News
Training News
Cast News
Finance News
IFTA Film & Drama Awards
Galway Film Fleadh 2017
List Your Company
Daily News Bulletin
Site Map
IFTN HOME
Maeve Paterson Q&A
26 Jan 2005 :

How did you first become interested in becoming a Costume Designer?

My mother worked in costume, so from a very early age I was sewing buttons etc...

Were you aware of any courses or training when leaving school, and if not, how did you find out where you could learn your trade?

I actually wanted to be an interior designer, and fell into costume because it was relatively easy for me. Was I aware of any courses? Yes, but not necessarily any to do specifically to do with Costume.

How long did you spend in college, and where did you go?

1 year at the VEC Ballsbridge, Dublin and 2 years at the Haslam school of dress design, Leeds.

Were places like Filmbase, Screen Training Ireland and the Galway Film Centre etc of benefit to you when you were training?

No

How important is it for securing work that you are formally trained or qualified in your field?

One would think that it should be of immense importance, but all too often it comes down to who knows who.

How long did it take you to work your way up to where you are now? What’s the process?

I started in theatre as assistant wardrobe and I progressed to a TV rep company after about 7years. Then I did a 2year stint in a production company learning how everything gels together as well as keeping on the night theatre job, difficult!!

About 10 years after I started my journey I got my first break in the film world, I started as a wardrobe supervisor and eventually I was deemed worthy enough to design my first film.

Does SIPTU, STI or your Guild provide training schemes / courses for its members?

Yes, if the members are wiling to give of their time.

After leaving college / finishing training, was it easy to find work?

It can be a very daunting experience, not for the faint hearted. The cold calls to prospective employers is always a little scary, but worth the effort.

How much work is there in Ireland for any aspiring Costume Designers? Is it especially hard to break into here, or is it the same everywhere?
We do not tend to attract a lot of the ‘Costume’ type films here, so very often designers have to get on the travelling circuit as assistants with UK or USA designers to progress.

Is it possible to progress at all without any real qualifications?

Yes, I believe it is, if you put your mind to it and believe in yourself, anything is possible

What’s the best piece of advice that you’ve been given in your career, and what advice would you give to anyone looking for a career in Costume Design?

GET A GOOD PENSIONIBLE JOB WITH THE GOVERNMENT!! (my dad)

My advice would be to start in the Wardrobe Department polishing boots and gradually learn to appreciate the hard way, the practicalities of costume. Always remember, what is the worst they can do, SHOOT YOU??

Credits For Maeve Paterson - Costume Designer
- Turning Green (2004)
- News For The Church (2004)
- Benedict Arnold: A Question of Honour (2003)
- Not Afraid, Not Afraid (2001)
- H3 (2001)
- The Tailor Of Panama (2001)
- Country (2000)
- The Nephew (1998)
- Night Train ((1998/I)
- The General (1998)
- The Life Of Reilly (1995)
- Broken Harvest (1994)
- Rock-A-Doodle (1991)
- The Fantasist (1986)





Free Industry Newsletter
Subscribe to IFTN's industry newsletter - it's free and e-mailed directly to your inbox every week.
Click here to sign up.






 
 the Website  Directory List  Festivals  Who's Who  Locations  Filmography  News  Crew  Actors
 

Contact Us | Advertise | Copyright | Terms & Conditions | Security & Privacy | RSS Feed | Twitter