was meant to happen. We were always looking for that and wanting that to happen, to have something real come out of it. Most scenes were written in some form, however brief, and sometimes it would be a case of saying ‘well, you’re going to come back from the pawn shop with the money for your Mum from the ring, what would be the first thing you would say?’, sort of talk it through with them. It’s so important that it was real and that they were being not acting.
Do you think audiences watching the film are asking themselves, Is this a drama or documentary?
I don’t think that’s a bad question to be asking yourself and most people will be able to answer it by the end. Obviously the film is based on life and some aspects of their real life story have been put into the film but, at the same time, if you’d gone off to make a documentary about the family it would have been a very, very different film. There are parts of the family that we haven’t included, characters in the family we haven’t included, and also we had to respect that there were certain things that we might have sugguested that the Mum didn’t want to be in the film. Things to do with their lives and other things that we might have suggested the kids to do, you know, like they didn’t want any begging in the film, so we had to respect that.
Do you think that you will always have a connection with the Maughan’s?
I think so, yeah. We went and did a video of Winnie’s sister Mary Kate who got married on her sixteenth birthday over in England. We went over and I took two of my assistants and we went and did a wedding video for them… which I was told I got ‘all upside down’ and we did wedding photographs as well.
Did the family and crew get paid for their work or was it deferrals?
Yeah, everybody got paid. I mean it wasn’t a huge amount because it was low budget so it was the minimum that we could pay everybody. Essentially all the crew were pretty much on the same wage, except one or two who had agents so we had to push it up a bit.
Did you ever consider the amount of money that has been spent on the movie and the family still don’t have a home and are still living in a trailer on the side of the road, could that money have bought them a home?
No I didn’t, because that amount of money was never really meant to be spent on the film, it was the way it ended up and I can see why it’s easy to say that. To be honest, when I first met them I wasn’t aware that they were looking for a house, I wasn’t in the business of buying homes for people, I was in the business of making a film. Even at that time I wasn’t 100% sure how much they wanted a house but now, having gotten to known them really well, I know they do really, really want a house
Do you think that they will benefit from the films success?
I hope so, it’s hard to know with these things. You go in to do something and you don’t know how it’s going to turn out, so far it’s turned out well in terms of a film, it’s going to be shown in cinemas which not all films that get made do and it’s having a good festival run. Hopefully it will highlight the kind of poverty in which they live and the fact that people are living here in the middle of Dublin with no running water and no toilets and it’s just insane. Hopefully people will look at that and ask questions of themselves…
What would you say to the general public in Ireland?
I would just tell people to go and see it, if only for the performance of Winnie, you know because she’s a magical being. She’s a magical girl and just I think it’s sad and funny and tragic and it’s a range of emotions that we all feel in our lives. I would essentially say ‘go and see it’. If you’re not interested in the Traveller aspect, if that turns you off, go and see it for Winnie’s performance and the Mum, I think the Mum is brilliant too.
‘Pavee Lackeen’ is released across Ireland from the 11th of November 2005 through Eclipse Pictures.
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